In Tunisia and other North African countries, those who make the journey are known as harraga, or “burners,” because when they reach the other side, they have been known to set their identifying documents alight so that European authorities cannot know who they are nor where to deport them to. An entire body of music exists about the harga, the crossing. The songs revolve around recurring themes: the desire to leave; the dangers of the crossing; the suffering of the exiled and the family…
Read more on nytimes